No.4-3 SECTION 1
1. Her----should not be confused with miserli- ness; as long as I have known her, she has always been willing to assist those who are in need.
(A) intemperance (B) intolerance
(C) apprehension (D) diffidence
(E) frugality
2. Natural selection tends to eliminate genes that cause inherited diseases, acting most strongly against the most severe diseases; consequently, hereditary diseases that are----would be expected to be very----, but, surprisingly, they are not.
(A) lethal.. rare (B) untreated.. dangerous
(C) unusual.. refractory (D)new.. perplexing
(E) widespread.. acute
3. Unfortunately, his damaging attacks on the ramifications of the economic policy have been
----by his wholehearted acceptance of that
policy's underlying assumptions.
(A) supplemented (B) undermined
(C) wasted (D) diverted (E) redeemed
4. During the opera's most famous aria the tempo chosen by the orchestra's conductor seemed
----, without necessary relation to what had
gone before.
(A) tedious (B) melodious (C) capricious
(D) compelling (E) cautious
5. In the machinelike world of classical physics, the human intellect appears----, since the mechanical nature of classical physics does not
----creative reasoning, the very ability that
had made the formulation of classical principles possible.
(A) anomalous.. allow for
(B) abstract.. speak to
(C) anachronistic.. deny
(D) enduring.. value
(E) contradictory.. exclude
6. During the 1960's assessments of the family shifted remarkably, from general endorsement of it as a worthwhile, stable institution to wide- spread----it as an oppressive and bankrupt one whose----was both imminent and welcome.
(A) flight from.. restitution
(B) fascination with.. corruption
(C) rejection of.. vogue
(D) censure of.. dissolution
(E) relinquishment of.. ascent
7. Documenting science's----philosophy would be----, since it is almost axiomatic that many philosophers use scientific concepts as the foundations for their speculations.
(A) distrust of.. elementary
(B) influence on.. superfluous
(C) reliance on.. inappropriate
(D) dependence on.. difficult
(E) differences from.. impossible
8. SCALPEL: SURGEON::
(A) laser: agronomist
(B) magnet: ecologist
(C) syringe: geologist
(D) telescope: astronomer
(E) microscope: geometrician
9. APPLE: FRUIT::
(A) egg: chicken (B) rung: chair
(C) wool: fabric (D) fuse: dynamite
(E) wick: candle
10. ENVELOPE: LETTER::
(A) scarf: hat (B) box: bag
(C) crate: produce (D) neck: head
(E) blood: heart
11. PANEGYRIC: EULOGIZE::
(A) ballad: stigmatize (B) ode: criticize
(C) lampoon: satirize (D) tirade: entertain
(E) treatise: dispute
12. OVERDOSE: PRESCRIPTION::
(A) deprivation: materialism
(B) indiscretion: convention
(C) affliction: sympathy
(D) adventure: expedition
(E) drug: medicine
13. FRESCO: WALL::
(A) fountain: courtyard (B) parquetry: floor
(C) thatch: roof (D) statuary: passage
(E) gargoyle: gutter
14. HAMMER: ANVIL::
(A) knocker: door (B) stick: gong
(C) hand: drum (D) pestle: mortar
(E) gavel: lectern
15. RELEVANT: CRUCIAL::
(A) marginal: unique
(B) perceptible: obvious (C) apparent: real
(D) peripheral: central (E) possible: desirable
16. PERFUNCTORILY: INSPIRATION::
(A) insolently: veneration
(B) ardently: passion
(C) phlegmatically: composure
(D) surreptitiously: obsession
(E) haltingly: reluctance
Great comic art is never otherwordly, it does not seek to mystify us, and it does not deny ambiguity by branding as evil whatever differs from good. Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols
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