Certainly their descriptions of battles are confused. But it is a little upsetting to read in the explanatory notes that a certain line describes a fight between a Turkish and a Bulgarian officer on a bridge off which they both fall into the river and then to find that the line consists of the noise of their falling and the weights of the officers:` Pluff! Pluff! A hundred and eighty-five kilograms.'
This, though it fulfills the laws and requirements of Futurist poetry, can hardly be classed as Literature. All the same, no thinking man can refuse to accept their first proposition: that a great change in our emotional life calls for a change of expression. The whole question is really this: have we essentially changed?
59.This passage is mainly____ .
[A]a survey of new approaches to art
[B]a review of Futurist poetry
[C]about merits of the Futurist movement
[D]about laws and requirements of literature
60.When a novel literary idea appers, people should try to_____ .
[A]determine its purposes
[B]ignore its flaws
[C]follow the new fashions
[D]accept the principles
61.Futurists claim that we must____ .
[A]increase the production of literature
[B]use poetry to relieve modern stress
[C]develop new modes of expression
[D]avoid using adjectives and verbs
62.The author believes that Futurist poetry is_____ .
[A]based on reasonable principles
[B]new and acceptable to ordinary people
[C]indicative of basic change in human nature
[D]more of a transient phenomenon than literature
Passage 4
Aimlessness has hardly been typical of the postwar Japan whose productivity and social harmony are the envy of the United States and Europe. But increasingly the Japanese are seeing a decline of the traditional work-moral values. Ten years ago young people were hardworking and saw their jobs as their primary reason for being, but now Japan has largely fulfilled its economic needs, and young people don't know where they should go next.
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The coming of age of the postwar baby bo
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